Analysis Of Jacque Lacan s The Mirror Stage - 1644 Words

While discussing Jacque Lacan’s The Mirror Stage for the second time this semester I started thinking about my own younger brother’s introduction to the mirror a few years ago. As I was trying to remember this interaction, I came to the realization that his first interaction with his â€Å"self† wasn’t with a mirror at all- it was actually with an iPhone’s front facing camera- used as a form of distraction while he sat in his highchair. This made start thinking about the fact that the recent generations are the first who do not need a mirror to see their â€Å"reflections†, how does that affect them? This is what spurred me to begin thinking about the way the modern day â€Å"selfie† relates to this â€Å"ideal-I† that Lacan discusses within his Mirror Stage†¦show more content†¦Can the complete control of our image we gain with the â€Å"selfie† be considered a form of coping that we use in order to deal with th is misrecognition between our self-image and Ideal-I? The first point of interest for me was to figure out the differentiating points between a selfie and a self-portrait before I could analyze the two using Lacan’s ideas. Besides the obvious difference of historical roots and medium, the most defining difference I could pick up on was how disposable the selfie is in comparison to the self-portrait. In a self-portrait every small detail is deliberate and necessary for the entire purpose of the piece, where on the other hand, one could take twenty selfies in a minute and throw half of them away the next minute when they are not found pleasing enough. Frida Kahlo has created some of the most well known and recognizable self-portraits, Self-Portrait with Thorn Necklace and Hummingbird is arguably one of her most famous works. Self-portraits, such as the one below, are meant to last. With the simple selfie, if the user does not like the outcome it is no burden to delete and forge t that the â€Å"unworthy† photograph ever existed. On top of the disposability of the selfie, they are only meant to be temporary. A selfie expresses a person momentarily. A placeholder until the next â€Å"worthy† selfie has been taken, while a self-portraitShow MoreRelatedCritical Analysis Of The Bloody Chamber By Angela Carter1611 Words   |  7 Pagesa psychological sense how women come into being. However, Freud shows the process of the female into femininity as much more intricate than the journey of male into masculinity. For the boy, his mother is his first love while he is in the Oedipal stage. Much the opposite, his father remains his rival until the moment he realizes his mother doesn’t have a penis and he turns to fears his father. This fear creates a divide from his mother and creates the super ego which ends the Oedipal phase. 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